This Little family monument pairs a polished Cats Eye granite top with a sandblasted lower panel, meeting along one sweeping diagonal line. Climbing the left edge, a pair of roses is carved in high relief rather than simply outlined, each petal and leaf shaped with real depth so the flowers stand out from the stone…
This companion monument for the Garcia family pairs a hand-sculpted rose vine with a carved cross and praying hands along the edge, framing the couple’s names beneath their portrait. Below, a bronze family plaque gathers generations, weddings, and everyday moments into one lasting scene rather than a single photo. Black granite holds every petal and…
This Welsh family monument uses two tones of Oxford Regal granite, a polished black center panel that narrows slightly toward the top, framed by two lighter gray columns on either side. Those columns are engraved with fine brick coursing lines, so the flanking panels read like a carved stone wall rather than plain granite pillars….
This monument for Trung Quang Nguyen keeps to the traditional serpentine top, a gentle wave shaped crest polished to match the rest of the stone rather than left flat. A grapevine cluster and cherry blossom branch frame the top corners, with bamboo and orchids etched lower on the panel around his color portrait. Two matching…
This monument for Vincent ‘Vinny’ Ochoa is anchored by a sculpted Saint Jude figure worked in Bas-relief, standing beside the stone with his staff and medallion carved with real depth and dimension. His portrait is rendered as a hand drawn Tri-tone Portrait, radiating light rays giving it a comic book quality that matches the ‘Our…
This monument for James Delano Mays, Sr., ‘Papa Bear,’ pairs a sculpted teddy bear worked in Bas-relief with a matching Bas-relief cross and dove on the opposite corner, both carved with enough depth to cast their own shadow rather than sitting flat on the stone. His likeness is rendered as a Photo Etch Portrait, a…
This oval shaped monument for Robert and Laura is cut from Paradiso granite, its mottled red and tan streaks running the full height of the stone. A single rose with stem and leaves is sculpted in high relief at the top corner, carved with enough depth to cast its own shadow rather than lying flat….
This monument for Robert Davis keeps the look of a real boulder, left rough and unpolished on one face the way it would be found in the wild. A natural diagonal split opens onto a fully polished panel in Blue Pearl granite, where a stand of pine trees is carved beside his name. Polishing only…
This monument for the Hansen family stays true to its name, a rustic boulder left entirely in its natural, unpolished state with no smooth panel anywhere on the face. The hummingbird and flower etching, along with every letter of the inscription, is cut directly into that raw texture rather than into a polished surface. Local…
